It was said in Session 42 that “Thaati-means to tap, metti- means to hit the floor with the heel while being rooted on the toes “. While the right feet does the tattu and meetu, the left feet just does the mettu.(No Tapping involved here)
Common Features of the Thattumettu Adavu:-
While the Sollukattu for each of the Pancahanadai varies, the following are common to all of them
Sthanam: Araimandi. A few styles do with both feet in Parshvagam(feet turned sideways and toes facing the sides, other styles have the right feet in samam,facing straight and the left in parshvagam)
Hastas: Right hand in Tamarachuda held near the chin, left hand placed on the waist or hung out in a dola. Some styles also hold the hands above the head (suchi in one hand grasped with all the fingers in the other)
Foot Work: involves the tapping (Thattu), Mettu (which is referred to as Udhgatitham in Natya Sahtra) and agratala sancharam(to strike the floor with the toes while the heels remain lifted)
Now lets us look at the first 3 Panchandais
Step 1
Chatushram: Ta- Ka- Dhi-Mi (4 beats).. Play audio
|
Beat/Foot work |
Ta |
ka |
dhi |
mi |
|
Right Feet |
Tap |
Mettu (lift heel and then strike floor by bringing it down) |
- |
- |
|
Left Feet |
- |
- |
Mettu(strike the floor with toes while keeping the heels lifted) |
Mettu (Bring the heel down and strike the floor) |
Step2
Tisram : Ta- Ki- ta (3 beats) Play audio
|
Beat/Foot work |
Ta |
Ki |
Ta |
|
Right Feet |
Tap |
- |
- |
|
Left Feet |
- |
Mettu(strike the floor with toes while keeping the heels lifted) |
Mettu (Bring the heel down and strike the floor) |
Step3
Misram: Ta- Ka- Dhi-Mi- Ta- Ki- ta (7beats) Play Audio
Successively perform the step 1 and 2 repeatedly
Filed under: Bharatanatyam, Bharathanatyam, Session, adavus, instruction, online, panchanadai, practice, steps, student, tattimettu, teaching


wowh.. amazing, this site. Just found it…
my congrats, dear Mrs. Sangeetha Shyam for this wonderful work. Would have been very helpful for my radio show in spring under the topic “Naty – the relevance of ragas for Indian Dance & Theatre”
Short infos here if you like…
http://imcradiodotnet.wordpress.com/2008/05/02/raga-cds-of-the-months-0408-natya-the-relevance-of-ragas-for-indian-dance-theatre/
In Germany we have only some few Indian dancers, I suppose your eLearning platform would be interesting for some and for a closer cooperation (e.g. Radha Sarma, representative of Indo-German Society (same Indian Dancer of Bharatanatyam) – http://www.radha-sarma.com)
All the best for your ongoing work…
ElJay from Hamburg, North Germany
Hi ElJay,
Thankyou..
You are doing an amazing job yourself!
Regards and Best Wishes,
Sangeetha